Antigone by Sophocles Part I

Antigone is the “dark sign from the gods.” Today, Dcn. Harrison Garlick is joined by Mr. David Niles of the Catholic Man Show and Dr. Frank Grabowski to discuss the Greek tragedy “Antigone” by Sophocles.

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From the guide:

This guide, like the podcast conversation, explores Antigone as a profound meditation on piety, justice, and the cosmic order. This guide addresses critical aspects of arguably Sophocles’ greatest work, such as: the moral conflict over burying the dead, the contrasting perspectives of Antigone, Ismene, and Creon, and the play’s potential as an early articulation of natural law—all while highlighting Sophocles’ role as a teacher shaping Greek thought.

The guide also moves from Greek notion of piety and justice to comparative Christian ethics. The goal is to help the reader love Antigone and see the cosmic order it reveals through one of the greatest female characters in Western literature.

What has occurred just prior to the start of Antigone?

Just before the events of Sophocles’ Antigone, the city of Thebes has been ravaged by a civil war between Antigone’s two brothers, Eteocles and Polyneices, who are sons of the late Oedipus, the former king. After Oedipus’ tragic downfall and death, the brothers were meant to share the throne, but a dispute led to conflict. Eteocles held power in Thebes, while Polyneices, exiled, rallied an army to attack the city and reclaim his right to rule. The brothers met on the battlefield and killed each other in combat, leaving Thebes without a clear ruler. Their uncle, Creon, assumes the throne and declares Eteocles a patriot, granting him a proper burial, while branding Polyneices a traitor, forbidding his burial under penalty of death. This decree sets the stage for the moral and familial conflict at the heart of Antigone, as Antigone and her sister Ismene grapple with the consequences of their brothers’ deaths and Creon’s edict.

What is the central moral conflict introduced at the beginning of Antigone?

The central moral conflict revolves around the duty to bury the dead, specifically Antigone’s desire to bury her brother, Polyneices, who has been declared a traitor by their uncle, King Creon. Creon decrees that Polyneices’ body must remain unburied, to be “torn apart by the dogs, by the birds,” as punishment for his betrayal of Thebes. Antigone, however, sees the burial as a moral obligation, rooted in familial piety and divine law. The burial of the brother, however, is a catalyst to deeper moral concerns, as how to resolve this moral conflict invites the reader to contemplate how the family, polis, and divine all align with one another within the cosmos. It is a question of law, piety, and justice.

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